![]() Chronos can also apply up to 2000% slow motion to your footage as illustrated below.Ĭreators tend to use specific fps values based on the intent of the footage and what the desired aesthetic needs to be. Fortunately, Video Enhance AI has Chronos, a new AI model specifically built for frame rate conversion that generates incomparably smooth, realistic footage. Historically, a creator would have to run a conversion process to increase the frame rate or upscale the resolution, but the output almost always significantly suffered. In other words, the camera can either record in 4K resolution with a lower frame rate or HD at 60 fps. It's also increasingly more common for creators to record footage at 60 fps so that they can slow motion down when conforming it to their project's native timeline.The biggest problems often occur when creators forget to set their cameras to record at 60 fps (this has happened to me more times than I'd care to admit □), don't have cameras capable of recording at 60 fps, or must compromise resolution to record at that higher frame rate. Footage with a lot of motion, such as sports or video games, plays back much more smoothly at a higher frame rate, like 60 fps. Today, one of the most popular and commonly used frame rates is 60 fps, and there are several good reasons for it. Unlike the perception of increased image quality solely based on more megapixels, increasing the frame rate of your footage has a material impact on its output. Resulting in a far better interpolated image.Why you would want to convert video to 60 fpsĪn integral component of digital video and video games is the frame rate, commonly represented in frames per second or fps. ![]() In part 2, Elliott explains Twixtor Pro and how you can take advantage of open and closed masks to help calculate where the pixels should move frame to frame. 60p, 60i or if you are using a 5D Mark II use 30p The more frames Twixtor gets to play with, the better! ![]() Also, use the highest framerate setting on your camera possible e.g. In the first part of the tutorial Elliott demonstrates the main principles of of Twixtor which you can apply to any video, and how to tidy up any unwanted warping.īefore you start, for best results use a shutter speed that will match your final framerate to avoid blurry slow motion. Elliott wanted to share his knowledge of Twixtor so that everyone could benefit from getting the best results out of this extremely powerful program. But using some basic camera techniques and Twixtor settings, we were able to obtain a beautiful and clean slow motion effect free of warping. So using slow motion software such as Twixtor, it’s hard to escape the common warping artefacts. These elements (fire and water) are by far the hardest things to interpolate and predict. In Elliott and my short film Incendium, we wanted to show fire breathing in beautiful slow motion with the fire illuminating a nearby water fountain. For most of us the price of buying or even renting a high speed camera is by far out of reach. In the video DSLR era, slow motion has become extremely popular. Thanks to Danny Cooke for this guest blog post! It’s tricky to get right as you need to shoot a certain way and do a fair bit of post…but the results can be amazing. 60FPS is the most we can get out of our cameras generally. There is nothing better than capturing at 2564 frames per second like you can on a Phantom (check out my mini doc with Flex footage here!) but that is out of the price range of most of us.
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